An Interveiw with Michael Landon, Jr.
LINGK. Although set in the mid 1800's "The Last Sin Eater" conveys certain universal lessons. As director, what do
you most hope your audience captures from it?

MICHAEL. The movie speaks to the universal truths regarding

forgiveness and redemption. I hope that the movie evokes in
our audience the big question which is, 'what do I do with the
wrongs I have done and how can I be free from them'. "The
Last Sin Eater" explores the journey of a 10-year-old girl who's
asking the same question. I believe that for some watching; it
will be an affirmation of faith and for others it will make them
think about the big question in life.


LINGK. What was the best part and the most challenging
aspect of directing and producing "The Last Sin Eater" ?

MICHAEL. There are always great moments in the journey of
making a movie which are usually creative in nature. For me
personally; there were certain moments in the film when you
hope and pray that certain key scenes will come to life. One in
particular was the man of God scene, when he is expressing
who the one and only sin eater is and Cadi Forbes accepts this
truth. Another great moment was when Mark Mckenzie delivered
the score, and beautifully put music to picture, I thought he did
an amazing job. In terms of the other side there are always
certain battles to making a film, certainly when you are dealing
with budgets on this level. Among other things the weather
definitely played a factor on a few days of filming. Some days
we would have intense heat which also brought the mosquitoes
or 40 to 50 miles per hour wind gust that threatened to blow
over one of our sets but we persevered and got all we needed
to get done within the allotted time.


LINGK. You obviously enjoy creating films of this
particular genre. Will we ever see a Michael Landon Jr.
film presented or set in a more contemporary time?
Have you set your sites on any such projects?

MICHAEL. Yes I have, as a matter of fact we just finished

filming "The Redemption Of Sara Cain' which will be retitled
'Saving Sara' based on the work of best selling author
Beverly Lewis, due in theaters in August of this year.


LINGK. What are some of the challenges and benefits of
carrying the Landon name within the professional arena?

MICHAEL. This is definitely a legacy that I am proud of. There

are not a lot of actors, directors, writers out there that have done
what my father did as far as family entertainment. So I cherish
his legacy and it is and was an inspiration to me, the down side
is not much if any. There's not a lot of family fare out there
but there is some movement toward that area.I don't think that
I will necessarily only make family fare but I will also like to do something having more of an adult fare to it, a passion of the
Christ. I just will never do anything that goes against my world
view. I really do believe that stories either through film, TV or
music affect culture in some respects more so than anything
else, and so I really take that to heart when doing anything
that gets out there and speaks to the culture.


LINGK. In the last 10 years great opportunities
have become
available to Christian filmmakers. In your estimation, what
are some of the best ways in which this group can maximize
these opportunities and become a real presence in the
entertainment community?

MICHAEL. The industry is driven by commerce; it’s a business,

and because its so expensive to make movies, you want to
hopefully tell the best possible story and put every dollar you
can up on the screen. Studios, investors, and production
companies need them to be financially successful, but if we
don’t support these kinds of stories they will eventually
disappear. On the other hand because of the great numbers
that the teen audiences provides; you can’t make big movies
without factoring them in or you will lose money. So what we
have is adults making entertainment, targeted at teens who by
nature are rebellious and impressionable. Now, we can either
pander to that and take advantage of it or we can restrain
ourselves as adults and give them something that’s morally

sound, life changing and effective; not necessarily watered
down but smart and edgy enough to engage them.

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